{"id":6347,"date":"2025-08-01T14:10:12","date_gmt":"2025-08-01T21:10:12","guid":{"rendered":"https:\/\/davidrosenmann-taub.com\/?page_id=6347"},"modified":"2025-12-20T12:29:22","modified_gmt":"2025-12-20T20:29:22","slug":"categories","status":"publish","type":"page","link":"https:\/\/davidrosenmann-taub.com\/es\/awards\/categories\/","title":{"rendered":"Premios por categor\u00eda"},"content":{"rendered":"<h2>Premios por categor\u00eda<\/h2>\r\n\r\n<h3 style=\"clear:none !important;\">Estudiantes de Licenciatura<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/del-pino-rubio\/\"><strong>Sebasti&aacute;n del Pino<\/strong>, Universidad Cat&oacute;lica de Chile<\/a>, 2011<br>\r\n<a href=\"\/docs\/La-idea-de-muerte-en-Quince-del-Pino-Rubio.pdf\">&ldquo;La idea de muerte en Quince, Autocomentarios, de David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n\r\n<h3>Tesis de Maestr\u00eda<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/raelene-wyse\/\"><strong>Raelene Camille Wyse<\/strong><\/a>, University of Texas at Austin, 2015<br \/><a href=\"\/docs\/2016_Winner_Wyse_Exploring_Jewish_Forms_Speaking_to_God.pdf\">&ldquo;Exploring Jewish Forms of Speaking to God. The Use of Apostrophe in David Rosenmann-Taub's <em>Cortejo y Epinicio<\/em>&rdquo;<\/a><\/p>\r\n\r\n<h3 style=\"clear:none !important;\">Estudiantes de Posgrado (Maestr&iacute;a y Doctorado)<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/diana-maria-rodriguez-vertiz\/\"><strong>Diana Rodr\u00edguez V\u00e9rtiz<\/strong>, Universidad Nacional Aut\u00f3noma de M\u00e9xico<\/a>, 2022<br>\r\n<a href=\"\/es\/articles\/vertiz-2021\/\"><em>La palabra que se escucha<\/em>, el sonido que se lee<\/a>. <em>Alm-er\u00eda<\/em>, de David Rosenmann-Taub.<\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/diana-maria-rodriguez-vertiz\/\"><strong>Diana Rodr\u00edguez V\u00e9rtiz<\/strong>, Universidad Nacional Aut\u00f3noma de M\u00e9xico<\/a>, 2017<br>\r\n<a href=\"\/docs\/2017_Winner_Diana_Rodriguez_Vertiz.pdf\"><em>&ldquo;David Rosenmann-Taub y la Educaci\u00f3n de los Cinco Sentidos&rdquo;<\/em><\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/retamales\/\"><strong>Camilo Retamales<\/strong>, Universidad de Chile<\/a>, 2011<br>\r\n<a href=\"\/docs\/ENSAYO.pdf\">&ldquo;El hu&eacute;sped insomne: una lectura polif&oacute;nica de Cortejo y Epinicio&rdquo;<\/a><\/p>\r\n<p><strong>Susan Campos<\/strong>, Universidad Aut&oacute;noma de Madrid, Spain, 2009<br><a href=\"\/docs\/IMPERATIVOS-Susan-Campos-Fonseca-2010.pdf\">&ldquo;Imperativos de la memoria: <em>En un Lugar de la Sangre<\/em> de David Rosenmann-Taub (una introducci&oacute;n)&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/gorfkle\/\"><strong>Kenneth Gorfkle<\/strong>, University of North Carolina<\/a>, 2008<br>\r\n<a href=\"\/docs\/HOFSTRAMAYO2009-DRT.pdf\">&ldquo;An Interpretative Approach to the Poetry of David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n<p><strong>Mart&iacute;n Centeno Rogers, Universidad de Chile<\/strong>, 2008<br><a href=\"\/docs\/Ensayo-Maestria.pdf\">&ldquo;Desolaci&oacute;n, Muerte y Putrefacci&oacute;n ante la Desidia de Dios. Una lectura de <em>Cortejo y Epinicio<\/em> de David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n\r\n\r\n<h3 style=\"clear:none !important;\">Traducciones de Poes&iacute;a<\/h3>\r\n<p><strong><a href=\"\/es\/awards\/recipients\/ivan-brave\/\"><strong>Iv\u00e1n Brave<\/strong>, University of Houston<\/a>, 2022<br>Poemas de <em>T\u00edlimtil\u00edn<\/em>, Psalm Songs<\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/silvia-vilar-gonzalez\/\"><strong>Silvia Vilar<\/strong>, Duke University<\/a>, 2015<br \/>\r\n<a href=\"\/docs\/2016_Winner Silvia Vilar Duke University--Traduccion La Opcion Sarcasmo.pdf\">Poemas de <em>La Opci\u00f3n<\/em> de David Rosenmann-Taub.<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/dimitris-angelis\/\"><strong>Dimitris Angel\u00eds<\/strong><\/a> y <a href=\"\/es\/awards\/recipients\/virginia-lopez-recio\/\"><strong>Virginia L\u00f3pez Recio<\/strong><\/a>, Instituto Cervantes de Atenas y Revista Frear, Atenas, 2015<br \/><a href=\"\/docs\/2016_Winner_Angelis_Lopez_Recio_Traduc_poemas_David Rosenmann-Taub.pdf\">Poemas de las antolog\u00edas <em>El Duelo de la Luz<\/em> y <em>Me Incit\u00f3 el Espejo<\/em>, de David Rosenmann-Taub.<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/tedeschi\/\"><strong>Stefano Tedeschi<\/strong>, Sapienza-Universit&agrave; di Roma y Bianca Iacoboni, Roma Tre, 2013.<\/a><br>\r\n<a href=\"\/docs\/Traduccion-Stefano-Tedeschi-Bianca-Iacoboni.pdf\">Traducci&oacute;n al italiano de poemas de &ldquo;<em>El Z&oacute;calo; Cortejo y Epinicio I<\/em>&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/alonso\/\"><strong>Marina Alonso<\/strong>, M&aacute;laga, Espa&ntilde;a<\/a>, 2013<br><a href=\"\/docs\/Marina-Alonso-Translation.pdf\">Traducci&oacute;n al ingl&eacute;s de una selecci&oacute;n de poemas de &ldquo;<em>La Opci&oacute;n<\/em>&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/costanza\/\"><strong>Sabrina Costanzo<\/strong>, Universidad de Catania, Italy<\/a>, 2009<br>Selecci&oacute;n de poemas de <em>&ldquo;Cortejo y Epinicio,&rdquo; &ldquo;El Mensajero,&rdquo; &ldquo;Pa&iacute;s m&aacute;s All&aacute;,&rdquo; &ldquo;Auge,&rdquo;<\/em> and others.<\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/kallendorf\/\"><strong>Hilaire Kallendorf<\/strong>, Texas A&amp;M University, United States<\/a>, 2009<br><a href=\"\/docs\/Hilaire-Kallendorf-2009.pdf\">Selecci&oacute;n de poemas de <em>&ldquo;Cortejo y Epinicio&rdquo;<\/em><\/a><\/p>\r\n<p><strong>Subrahnsu Banerjee<\/strong>, poeta y director de la revista &ldquo;Podyocharcha,&rdquo; India, 2009<br>\r\n<a href=\"\/docs\/Quince-Bengali.pdf\">Los poemas del libro <em>&ldquo;Quince&rdquo;<\/em><\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/stocco\/\"><strong>Melisa Stocco<\/strong>, Mendoza, Argentina<\/a>, 2008<br>\r\n<a href=\"\/docs\/The-Sky-in-the-Fountain-The-Eternal-Morning.pdf\">&ldquo;<em>The Sky in the Fountain\/ The Eternal Morning&rdquo; (&ldquo;El Cielo en la Fuente\/ La Ma&ntilde;ana Eterna&rdquo;)<\/em><\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/juanita-cifuentes\/\"><strong>Juanita Cifuentes Ruiz<\/strong>, Par&iacute;s, Francia<\/a>, 2008<br>Selecci&oacute;n de poemas de las libros: &ldquo;<em>Poesiectom&iacute;a&rdquo;, &ldquo;Los Despojos del Sol&rdquo;, &ldquo;Pa&iacute;s M&aacute;s All&aacute;&rdquo;, &ldquo;Cortejo y Epinicio&rdquo;, &ldquo;El Mensajero<\/em>&rdquo; y <em>&ldquo;Auge&rdquo;.<\/em><\/p>\r\n\r\n<h3 style=\"clear:none !important;\">Beca Dr. Hern&aacute;n V&aacute;squez para Tesis de Doctorado<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/gorfkle\/\"><strong>Kenneth Gorfkle<\/strong>, University of North Carolina, United States<\/a>, 2013<br><a href=\"https:\/\/cdr.lib.unc.edu\/concern\/dissertations\/h989r3424\"><em>&ldquo;La m&aacute;s oscura ci&eacute;nega: Death in the Poetry of David Rosenmann-Taub&rdquo;<\/em><\/a><\/p>\r\n<p><strong>Juan Andr&eacute;s Garc&iacute;a Rom&aacute;n<\/strong>, Universidad de Granada, Espa&ntilde;a, 2011<br><a href=\"\/docs\/Tesis-JAG-Roman.pdf\">&ldquo;Vanguardia y utop&iacute;a ling&uuml;&iacute;stica en la poes&iacute;a de David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n\r\n<h3 style=\"clear:none !important;\">Profesores,&nbsp;Cr\u00edticos&nbsp;y otros&nbsp;Investigadores<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/eduardo-espina\/\"><strong>Eduardo Espina<\/strong><\/a>. Professor, writer, poet. Texas A&amp;M University, 2020.<br \/>\r\n<em>Escribir en la cuenta regresiva. La poes\u00eda \u00faltima de David Rosenmann-Taub.<\/em><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/jose-ramon-ripoll\/\"><strong>Jos\u00e9 Ram\u00f3n Ripoll<\/strong>, Escritor y Music\u00f3logo, Madrid, Espa\u00f1a<\/a>, 2017<br>\r\n<a href=\"\/pdf\/Letral-2016-JR-Ripoll-Musica-y-poesia-en-DRT.pdf\"><em>&ldquo;M\u00fasica y Poes\u00eda en David Rosenmann-Taub&rdquo;<\/em><\/a><br>\r\nEste art\u00edculo fue publicado en LETRAL, No. 17 (2016). Universidad  de Granada, Espa\u00f1a.<\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/eduardo-chirinos\/\"><strong>Eduardo Chirinos<\/strong>, University of Montana<\/a>, 2015<br \/><a href=\"\/docs\/2016_Winner_Chirinos_LA INSISTENCIA DEL ESPECTRO EN.pdf\">&ldquo;La insistencia del espectro en <em>Canci\u00f3n de cuna<\/em> de David Rosenmann-Taub y <em>My Son<\/em> de Mark Strand&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/gorfkle\/\"><strong>Kenneth Gorfkle<\/strong><\/a>, University of North Carolina, 2015<br \/><a href=\"\/docs\/2016_Winner_Gorfkle_Los_recursos.pdf\">&ldquo;Los recursos t\u00e9cnicos y ret\u00f3ricos de la poes\u00eda de David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/gallego\/\"><strong>Ana Gallego Cui&ntilde;as<\/strong>, Universidad de Granada, Espa&ntilde;a<\/a>, 2013<br><a href=\"\/docs\/INCITACION-Gallego-Cuinas-Insula-791-Nov-2012.pdf\">&ldquo;<em>Incitaci&oacute;n a la poes&iacute;a especular de David Rosenmann-Taub<\/em>&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/claudia-dematte\/\"><strong>Claudia Dematt&egrave;<\/strong>, Universit&agrave; Degli Studi di Trento, Italia, 2011<\/a><br><a href=\"\/docs\/Dematte-Corde.pdf\">&ldquo;Sin verter ni una &laquo;cosmol&aacute;grima&raquo;: traducir la poes&iacute;a de David Rosenmann-Taub al italiano&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/moga\/\"><strong>Eduardo Moga<\/strong>, Cr&iacute;tico\/Poeta, Barcelona, Espa&ntilde;a<\/a>, 2011<br><a href=\"\/docs\/Eduardo-Moga-El-poeta-total.pdf\">&ldquo;El poeta total; algunas reflexiones sobre la poes&iacute;a de David Rosenmann-Taub&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/juanita-cifuentes\/\"><strong>Juanita Cifuentes<\/strong>, Universidad Fran&ccedil;ois Rabelais de Tours, France<\/a>, 2009<br><a href=\"\/docs\/Juanita-Cifuentes-Ruiz-Una-partitura-de-la-memoria.pdf\">&ldquo;<em>Pa&iacute;s m&aacute;s All&aacute;.<\/em> Una partitura de la memoria&rdquo;<\/a><\/p>\r\n<p><a href=\"\/es\/awards\/recipients\/paula-miranda\/\"><strong>Paula Miranda Herrera<\/strong>, Universidad Cat&oacute;lica de Chile y Universidad de Chile<\/a>, 2008<br><a href=\"\/docs\/QUINCE-AUTOCOM-P-Miranda-Revista-Chilena-Lit-2009.pdf\">&ldquo;<em>Quince, Autocomentarios,<\/em> de David Rosenmann-Taub: Fin al Hermetismo&rdquo;<\/a><\/p>\r\n\r\n<h3 style=\"clear:none !important;\">Premio Especial del Directorio<\/h3>\r\n<p><a href=\"\/es\/awards\/recipients\/gorfkle\/\"><strong>Kenneth Gorfkle<\/strong><\/a>, University of North Carolina, 2022<br>\r\nComo reconocimiento por la publicaci\u00f3n de la segunda edici\u00f3n de su libro: \r\n<a href=\"https:\/\/uncpress.org\/book\/9781469670850\/david-rosenmann-taub-poemas-y-comentarios\/\"><em>David Rosenmann-Taub: poemas y comentarios<\/em><\/a>. (Publicado por A Contracorriente y distribuido por The University of North Carolina Press, 2022. Segunda edici\u00f3n.<\/p>\r\n","protected":false},"excerpt":{"rendered":"Premios por categor\u00eda Estudiantes de Licenciatura Sebasti&aacute;n del Pino, Universidad Cat&oacute;lica de Chile, 2011 &ldquo;La idea de muerte en Quince, Autocomentarios, de David Rosenmann-Taub&rdquo; Tesis de Maestr\u00eda Raelene Camille Wyse, University of Texas at Austin, 2015&ldquo;Exploring Jewish Forms of Speaking to God. The Use of Apostrophe in David Rosenmann-Taub&#8217;s Cortejo y Epinicio&rdquo; Estudiantes de Posgrado [&hellip;]","protected":false},"author":2,"featured_media":0,"parent":6216,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-6347","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/pages\/6347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/comments?post=6347"}],"version-history":[{"count":4,"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/pages\/6347\/revisions"}],"predecessor-version":[{"id":6589,"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/pages\/6347\/revisions\/6589"}],"up":[{"embeddable":true,"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/pages\/6216"}],"wp:attachment":[{"href":"https:\/\/davidrosenmann-taub.com\/es\/wp-json\/wp\/v2\/media?parent=6347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}