Salomé: a dance performance by Katherine Crockett, from the Martha Graham Company. Choreographed by Stephen Pier, Director of the Dance Division at The Hartt School.

Conversations: a dance performance by Stephen Pier and Miki Orihara, the Martha Graham Company’s principal dancer. Choreographed by Stephen Pier, Director of the Dance Division at The Hartt School.

Reflejos Elementales (Elemental Reflections): A film by the Chilean film cinéaste Alexis Moreno, based on the music, poetry, and drawings of David Rosenmann-Taub.

Apresto (Exordium): A film by Alexis Moreno, based on the poem “Apresto” (“Exordium”) and the music of David Rosenmann-Taub.

Yo creyera para no creer: a dance creation by choreographer Chevi Muraday, inspired by the musical composition “Licnobio” and the poem “Cómo me gustaría ser esa oscura ciénaga...” (“How I would like to be that dark marsh...”).

Broken Memory: a solo dance performance by Miki Orihara, which she also choreographed, to David Rosenmann-Taub’s piano composition “Mensaje a Pedro Allende.”

The dance film Broken Memory, choreographed and performed by Miki Orihara, is set to David Rosenmann-Taub's piano music "Mensaje a Pedro Allende" from the CD "Dagger of Life." This expanded version of Broken Memory shows Rosenmann-Taub playing the piece along with the piano score.

Aguacibera by Esther Crisol: The flamenco Singer Esther Crisol sets poems by David Rosenmann-Taub to music on her new disc, Aguacibera, which she presented live at the Music Festival in la Zubia, Granada, in 2012.

Tell me. David Rosenmann-Taub, what is poetry?: Multimedia show about the poetry, the music, and the drawings of David Rosenmann-Taub, directed and interpreted by Héctor Noguera (Teatro Camino, Santiago de Chile, 2007). Realization and montage: Alexis Moreno Burgos.

ABISMO: In this play, based on poems by David Rosenmann-Taub, the Chilean director Alejandro Castillo creates a dreamscape where memories and evocations are embodied by a child, a young couple, and an old man. The poems explore love, destiny, life, death — the meaning and meaninglessness of existence.

The majority of the text is taken from the tetralogy Cortejo y Epinicio (Cortege and Epinicion), whose four volumes are: El Zócalo (The Plinth), El Mensajero (The Messenger), La Opción (The Option), and La Noche Antes (The Night Before). One monologue comes from another book by Rosenmann-Taub, Los Surcos Inundados.

Mensaje a Pedro Humberto Allende, composed by David Rosenmann-Taub, transcribed for two guitars by Dúo de Guitarres KM, Katrin Klingeberg and Sebastián Montes.

Himno, a poem by David Rosenmann-Taub interpreted by the duo KM. Music composed by Katrin Klingberg.